What Was Unseen: On Kelly Reichardt’s “Showing Up”
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May 11, 2023 • By Yael Friedman
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Yael Friedman
LARB CONTRIBUTOR
Carnal Thoughts: On Alice Blackhurst’s “Luxury, Sensation and the Moving Image”
Adèle Cassigneul reviews Alice Blackhurst’s “Luxury, Sensation and the Moving Image,” and, in doing so, interrogates feminist artistic constellations as they are traditionally understood....
Clean Slate: On Ricky D’Ambrose’s “The Cathedral”
Max Levin writes about Ricky D’Ambrose’s autobiographical feature film, “The Cathedral.”...
Witness to Atrocity: On Sarah Polley’s “Women Talking”
Ryan Coleman reviews Sarah Polley’s film adaptation of Miriam Toews’s “Women Talking.”...
Lousy Listing: On “Sight & Sound” and Taste
Brian Jacobson gives historical and cultural context to the “Sight & Sound” Best Of poll....
John Waters on Filmmaking, Felonies, Fox News, and Fucking
Conor Williams gawks at “Liarmouth: A Feel-Bad Romance” by John Waters....
Yael Friedman is a writer based in New York. Her reviews and essays about art, culture, cities, and sports have appeared in The Economist, Bloomberg, The Forward, Haaretz, The Daily Beast, Urban Omnibus, Galaxy Brain, and elsewhere.